Confessions Of A Cinephile
Wedding Crashers - Two founding members of the frat pack (Vince Vaughn and Owen Wilson) take their dog and pony show out on the screen as opportunistic friends who attend other people's nuptials with the hopes of scoring some beautiful bridesmaid booty. And the perennial bachelors seem to be having a grand ol' time of it . . . until things get complicated with Wilson falling in love with a betrothed babe at one of the events (Did we even know who Rachel McAdams was a couple of years ago?). Billed as the second coming of Old School, which I have to admit I laughed at, the flick is slightly hampered by its turn into a heartfelt romantic comedy towards the end (Owen Wilson learns the meaning of love!) but there are enough laughs for a fun Friday night.
Coming Attractions: That cute and bubbly Rachel McAdams hopes to keep a captive audience with Cillian Murphy in Red Eye, Wes Craven's new dramatic thriller. After a 5 year hiatus, this is the second of Craven's movies this year. But has it been long enough for movie-goers to forget the crappy terror of the production plagued Cursed? We'll see August 19.
Evil Dead - Years before Sam Raimi tossed Tobey Maguire some tights and cast him as Spiderman, he tossed his good buddy and B-movie conspirator Bruce Campbell a tub full of fake blood and cast him as Ash in this classic horror movie. Sure, the special effects pale in comparison to the kind of stuff we have today (it was only 1981 after all) and it's not as lighthearted as its follow-ups (by the time we hit Army of Darkness, Campbell's character had gotten faster with the quips and the chainsaw), but it still has some creepy moments. Plus, after reading what the cast and crew had to go through to film the thing (detailed engagingly in Campbell's autobiography If Chins Could Kill), there should seriously be an award for most agonizing film shoot.
Movies Take Flight Once AgainSo how long is long enough to wait before readdressing a touchy social subject in the film industry? The answer apparently is 4 years as Hollywood is preparing to launch a pair of terror-in-the-air movies later this summer - Red Eye and then, later in the fall, Flightplan (which marks Jodie Foster's first starring role since David Fincher's stylish but stilted Panic Room). But is four years enough distance after an event that shook the cultural collective to its virtual core? When the attacks first occurred, people seemed so sensitive about the idea of flying and terrorist attacks that jokes were written out of sitcoms (Friends), the opening credits of shows were changed (Sex and the City), songs that might have made people think about the tragic events of the 11th of September were banned from the radio (Alanis' Ironic) and TBS stopped showing certain films . . . as frequently (Executive Decision). We had such a strong reaction to anything even remotely related then, but what has made us soften? Is it just the passage of time? Is it the prospect of seeing steely eyed Oscar winner Foster back in front of a camera? And after the very recent echoing of the American terrorist attacks in London, is this a good time to be jumping back on the terror band wagon? It's hard to say.
On one hand, we could never address the subject of flight again, instead reverting to other forms of transportation. In fact, I have a couple of ideas:
1) It's the turn of the century (a much less violent time to begin with) and engineers build the biggest, most luxurious passenger ship to cross the Atlantic . . . Oh no, wait . . .
2) It's modern day Los Angeles and the lovable Sandra Bullock gets on a bus and . . . Crap that's no good either.
The thing about movies is that we use them to get away from the monotony of our own existences. For a couple of hours at a time so we can laugh at other people's jokes, experience other people's relationships, live other people's lives, enjoy other people's art. However, awkwardly timed the release of these movies might be, we have to be mindful of the fact that it is all fiction and we are just meant to be entertained by it, however topical the subjects might be. That said, I guess we'll just have to wait and see whether or not the tunnel bombing scenes in V is for Vendetta get left in by the sensors . . .